The use of digital approaches using coloured light was more successful although further research is required in order to develop this approach for wide spread professional practice. The focus of the digital re-integration techniques was to evaluate the viability of its use in general practice. The latter was of particular interest in offering a truly reversible none interventive approach to re-integration. A range of approaches to image re-integration were ultimately trialled ranging from the traditional paint-based approaches to the use of digital coloured light. However, the major concern with regard to conservation lay clearly within the field of image re-integration as a result of its characteristically smooth surface finish. It revealed that there was a high level of uncertainty amongst practitioners in the field of paintings conservation with regard to the deterioration characteristics of air brush painting or their appropriate resolution. A survey was conducted to discover how well conservators understood the degradation characteristics of easel paintings executed with airbrushing techniques, and their appropriate treatment. ![]() ![]() The research considers whether traditional image reintegration treatments are appropriate for the airbrush easel paintings and evaluate alternative approaches.
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